Thursday, October 25, 2012

Mother/Daughter


Alice Neel

Mother/Daughter

The preferences for extroversion and introversion are often called as attitudes. Each of the cognitive functions can operate in the external world of behavior, action, people, and things (extroverted attitude) or the internal world of ideas and reflection (introverted attitude). Carl Jung

My mother was an extrovert. She plowed through life like an express train, taking no heed whatsoever as to how her behavior affected others. Jung says that extroverts tend to act, then stop and reflect. Not so with my mother, her reflections were more like internal strategy sessions. (How can I get out of this mess with a minimum of damage?) She was also diagnosed with a borderline personality disorder, and like most borderlines, she was charismatic. She was also very beautiful.  I hated her. Some would say I was jealous, and maybe there was a grain of truth to that in the beginning, but as her life unravelled, I became increasingly hostile. 

To say that she was ill prepared for motherhood is an understatement, and yet here she is, holding me like a bomb. If a picture is worth 1,000 words, it is clear that our relationship was off to a rocky start. I cried all night, every night for one entire year. She tried everything: nursing, bottles, burping, changing, walking, rocking. Nothing worked. She considered herself a problem solver, yet I was a problem she could not solve. 

It’s funny, I remember that olive green dress, she wore it around the house for years. In my mind’s eye I see her in the kitchen, her tall straight back standing at the sink, scraping my unfinished dinner down the garbage disposal with one hand while talking on the phone to her current amour with the other.  Even before cell phones, she was addicted to telephones.  She always wore huge yellow rubber gloves to save her manicure. Her manicure was important to her, far more important to her than I ever was. One of her many talents was dialing with rubber fingers although speed dialing was usually not an option, the men didn’t stick around long enough to become one of her contacts.

There was just the two of us. I never knew my father, and when my mother spoke of him, it was always with a grimace. She was one of those women who could change at the drop of a hat; ebullient one minute, morose the next. She really should have been on the stage because the woman could put on quite the show when she wanted something. I often pitied the poor bastards who were beguiled by her charm. Her eyes became magnets, drawing people in with a bewitching cunning, and she had this ability to pout, her thick, baby doll lips puckered, causing her to look like an aging Barbie Doll. Between the eyes and the pout, it was game, set, match, especially with the male sex although she  was also a master at playing women, pitting one woman against another until she ended up destroying them both. Her jobs never lasted because of her ability to manipulate women in the workplace causing havoc, the men never lasted,  because she used them up and spit them out. Her taste in men was astonishingly eclectic, she would sleep with anyone as long as  they supplied her with enough cash.

An introverted person's energy is generally directed inward toward concepts and ideas whereas an extroverted person's energy is generally directed outward towards other people and objects. There are several contrasting characteristics between extroverts and introverts: extroverts desire breadth and are action-oriented, while introverts seek depth and are self-oriented. Carl Jung

Because she was  constantly reinventing herself I never knew from one day to the next who would walk through the door. We moved every two years or so, our apartments were always on the wrong side of the tracks, dark and sparsely furnished because we never took anything with us. I became increasingly introverted, in retrospect, traumatized, because I never knew from one day to the next what to expect. 

“Pack up your bags, Cecelia Sue, we’re moving,” was as familiar to me as what’s for dinner. 

“I don’t want to move, I like it here, I like the school, I love my art classes.”

“There are other schools, other teachers, Cecelia Sue, we’re moving to Toledo, and that’s final.” Or

“It’s steak tonight, Cecelia Sue, put on your pretty blue dress, Tom is taking us out to dinner.” Tom was her latest, a fat man with a red face, darting rat-like eyes, cheap suits and a pinky ring so small that the flesh bulged out around it probably making it impossible for him to ever take it off. Tom had money. Tom was spending almost every night in my mother’s bed.

A psychologist once told me that above all, a child needs to feel safe. Safety was foreign to me, and as time went on I became more and more introverted.  Art was the only thing that sustained me, it was a constant in an other wise unstable world. Today my paintings resemble a Jackson Pollack nightmare and my nightmares, well, suffice to say, I dread going to bed at night.  

“Look, Mama, see what I painted,” I recall saying as a little girl.

“Oh, Cecelia, how lovely.” She would give it a cursory glance as she applied another coat of nail polish, her fingers outstretched like daggers. 

“I won first prize in the young teen’s art contest at school, Mama, they even framed it.”

“Honey, Mama is proud. We’ll hang it right here over the couch.”  And so she did. It was a painting of a horse galloping through a field, and as we moved from place to place, the horse moved with us. We often arrived at new apartments with the clothes on our back, a few mugs, and my horse painting. As our lives became increasingly insular, the horse continued to gallop away. 
“Cecelia, come here and let me look at you.” 

“I’m busy, Mama, I’m painting. 

“You’re always painting, I’m lonely, I want to talk.” She had been drinking, her words slurred as she begged me to come. In retrospect, perhaps I should have appeased her, for it was later that night when my life changed for good. I awoke to flashing blue lights outside my window, police in the kitchen, and my mother in her bathrobe, a cigarette hanging out of her mouth, cussing and screaming as they cuffed her and took her away.

“Who called 911?” 

“She did,” one of the cops said. “She claimed self defense.”

“Where is the body?”

“In the bathroom.” She slashed his throat with a razor blade.”

“Look, there’s a kid here.”

“Jesus, call protective services, we need to get her out of here.”

“Don’t worry, we will take good care of you,” a female cop told me, trying to be kind. Her kindness was wasted on me, I had no idea what good care was, I had never known it, but I was to soon find out as I was shuffled from one foster home to another. One of my foster mothers, a wealthy woman who encouraged me, saw great talent in my painting and paid my tuition at The Rhode Island School of Design.

Today I don’t make a lot of money on my art, but I make enough to survive. I visit my mother in the penitentiary once a month. She is always subdued, I suspect she is medicated. She looks terrible, without make up, graying hair, without her usual hair dyes. She calls me “Darlin.” The horse  hangs on the wall of her cell. He is a bit faded by now, but he continues to be free, something my mother will never again know.





It's All Temporary

Tuesday, October 23, 2012

Vocabulary



Vocabulary
by Jason Schneiderman

I used to love words,
but not looking them up.

Now I love both,
the knowing,

and the looking up,
the absurdity

of discovering that "boreal"
has been meaning

"northern" all this time
or that "estrus"

is a much better word
for the times when

I would most likely
have said, "in heat."

When I was translating,
the dictionary

was my enemy,
the repository of knowledge

that I seemed incapable
of retaining. The foreign word

for "inflatable" simply
would not stay in my head,

though the English word "deictic,"
after just one encounter,

has stuck with me for a year.
I once lost "desiccated"

for a decade, first encountered
in an unkind portrayal

of Ronald Reagan, and then
finally returned to me

in an article about cheese.
I fell in love with my husband,

not when he told me
what the word "apercus" means,

but when I looked it up,
and he was right.

There's even a word
for when you use a word

not to mean its meaning,
but as a word itself,

and I'd tell you what it was
if I could remember it.

My friend reads the dictionary
for its perspective on culture,

laughs when I say that
reference books are not really

books, but proleptic databases.
My third grade teacher

used to joke that if we were bored
we could copy pages out of the dictionary,

but when I did, also as a joke,
she was horrified rather than amused.

Discovery is always tinged
with sorrow, the knowledge

that you have been living
without something,

so we try to make learning
the province of the young,

who have less time to regret
having lived in ignorance.

My students are lost
in dictionaries,

unable to figure out why
"categorize" means

"to put into categories"
or why the fifth definition

of "standard" is the one
that will make the sentence

in question make sense.
I wonder how anyone

can live without knowing
the word "wonder."

A famous author
once said in an interview,

that he ended his novel
with an obscure word

he was sure his reader
would not know

because he liked the idea
of the reader looking it up.

He wanted the reader,
upon closing his book, to open

another, that second book
being a dictionary,

and however much I may have loved
that author, after reading

that story
(and this may surprise you)

I loved him less.



It's All Temporary

Thursday, October 18, 2012

Luften



“Guten Morgen, Blinken.” 

“Guten Morgen, Klaus.”  Even though it was 9:30 on a cold December morning in Hamburg, Germany, the sun had not fully risen, it was dark, dreary and bone chilling cold. Klaus, my perpetually sunny, perpetually youthful husband kissed the top of my head as I sat at the breakfast nook in our apartment wrapped in a blanket. The window in the nook overlooked a typical Hamburg street, veiled by a  diaphanous curtain of snow falling relentlessly on the ubiquitous bicycle racks in front of brick buildings, graffiti everywhere, mostly large block letters defying rhyme nor reason. Klaus doesn’t allow me to call it gloomy, to him it is peaceful.

Although I was born and raised in Los Angeles, it has taken me 45 years and several years in Hamburg to fully comprehend what a strange, macabre place LA truly is.  Winter in Southern California is much like summer in Southern California, give or take a few degrees. It is as if a very bright light shines on the city continually. There is no place to hide. An environment obsessed with appearances, it leaves no room for soul, either in the heart of the sprawling city itself, or in her citizens who run from their plastic surgeon to their personal trainer to their dietician to their acting coach to their shrink who tells them that she sees improvement (but need more sessions  to the tune of $200 an hour.) 

I have come to realize that all these self-serving activities serve one purpose: to obliterate the aging process. Since there is no need to fight the elements, Angelinos fight their inner demons. It is a warm place with a sordid underbelly which allows things to fester. Almost anything is permissible, even encouraged. Drugs and alcohol are everywhere, kids buy and sell baggies on every corner, they then flock into AA meetings where frustrated second rate actors practice their schtick on fellow addicts.

Los Angeles is a land of beautiful women and beautiful cars. Maintenance is the key to both. Hamburg is a land of hard working women  without cars waiting for the bus on a cold corner with a wool hat pulled down over her hair, maintenance an afterthought. Conversely, museums in Los Angeles are full of paintings of dark, tortured souls, most paintings in German museums are gay and colorful (except for Otto Dix whose people are beyond bizarre.) 

Give me a kiss to build a dream on,” Klaus sang to me as I spread a thick layer of quark on a hard roll.

  “Do you want to come watch us shoot today? We’re filming on the harbor.”

“Are you out of your mind? It will be freezing down there.” 

“OK, but please give me a kiss to build a dream on before I go, and my imagination can thrive upon that kiss.”

“You are such a jerk.”

“Don’t talk with your mouth full.”  

Klaus always got the last shot. He did again this morning as he looped a wool scarf around his neck, German style, and put on his heavy boots. 

“Happy shooting,” I said as he lumbered down the stairs leading from our fifth floor walk-up. 

Klaus and have been married for 15 years.  He was drop dead gorgeous when we met, and continues to be so even though we are both in our middle 40’s. Half Swedish, half German, he has dark blonde hair, Paul Newman eyes that smile when he laughs, an iron man torso, and those rare genes that enable him to age into a distinguished gentleman.

The fact that he still calls me Blinken, which means twinkle in German, is a bit of a misnomer. It has been many a moon (if ever) since I have twinkled, but I find it endearing and I love him for it. My eyes never smile when I laugh, my adolescent photographs show a teen ager who is very uncomfortable in her own skin. Why? I do not know. I am tall, slim, have great skin, if I do say so myself, but my over active negative thinking processes tend to show on my face, giving me a somewhat petulant expression most of the time - at least this is what I see when I unexpectedly catch a glimpse of myself in a mirror. 

Germans tend to be a serious bunch, but in our marriage I am the worry wart, Klaus the happy warrior. We met in Los Angeles where he was filming a documentary on pre World War 2 Germany and I was being paid as a consultant. European History was my major in college, my thesis was on The Third Reich. Being married to a German hunk isn’t always what it is cut out to be, but I prefer it to being married to an obese bald man. We compliment each other, Klaus makes movies, he loves the hustle and bustle, the intrigue, the acting. I write. I like staying home.

Nowhere is the juxtaposition of LA and Hamburg more pronounced than in the German’s obsession with fresh air and their daily habit of luften, where every window is slung wide open. It’s an airing out the likes of which I have never seen. Curtains blow wildly out of most windows at any given moment.
“We Germans worry about mold,” Klaus explained.

“Mold?”

“Yes, mold? We build very tight buildings. Like people, buildings need to breath fresh air every day.”

And so it began. Every day between noon and 1:00 there was a sharp rat-a-tat-tat on my door. “Freulein von der Hyde, öffnen Sie die Tür. Offnen Sie die Tur. Open zee door.” I knew what was coming, so I close my lap top, open my windows, open the skylight in the bathroom, and brace myself for his wrath. Herr Bauer, my landlord, has arrived. His English and my German are both shaky. We communicate in bits and pieces, but we both know that he is not at all happy with my luften, I am not doing it properly.  It is beyond me how there can be an improper way to open a window, but apparently there is. He communicates his displeasure through his gestures, waving his arms wildly as he points to my half open window. It is cold, very cold in the apartment, yet beads of sweat form on his brow as he unzips his jacket, loosens his scarf and stamps his heavy boots. I am used to bare feet and flip flops, these boots almost frighten me.

After three years in Hamburg we returned to La La Land and moved into an apartment on Doheney, just off of Pico.  It’s a snazzy address, Klaus’ career has taken off due to the success of his Hamburg Harbor movie. We have lots of money which is a good thing because our electric bill is astronomical. I keep the air conditioning on high day and night so that I can walk around our apartment wrapped in a blanket. Klaus wears a heavy sweater. We both miss luften.


It's All Temporary

Tuesday, October 9, 2012

Good But Not Good



(Ben Heine - Pencil vs. Camera)
Good But Not Good

by

Marianne Carlson

After my father’s stroke his speech never fully returned. The speech therapist at the rehab where he lay recovering told us it might or it might not. Occupational therapists taught him how to navigate through daily hurdles with his left hand: tying shoes, eating, writing. Physical therapists taught him how to walk while dragging his right foot. Up and down the hall they would go, my father pushing the walker, the sweet young therapist with her SLOW BUT STEADY WINS THE RACE  orange plastic wrist band, her smile that could melt a curmudgeon, encouraging his every step. My father, behaving like a monster, growled and grunted as they slowly made their way up and down the hall. Would it have killed him to return one of her smiles?

When we finally brought him home, we set him up downstairs in the family room.  It was to be his habitat, perfect really, there was a connecting bathroom. The room was bright and sunny, although he kept the shades down almost all the time, and in spite of our efforts, he gave up on everything. We installed bookshelves for his favorite books, a computer with a handicapped keyboard, stereo equipment. He never read or listened to music again, and when we encouraged him to communicate, he would look around and shake his head back and forth like the head of a turtle peeping out of his shell. He could say a few things, his standard answer to every question was “good but not good.”

My daughter, Brice, was a senior in high school when he died.  A precocious child, she quietly soaked up her environment like a sponge. I thought he was but a shadowy presence in her life, but I came to realize that he was much more. The grumpy old man in the dark room who never talked left an indelible impact on her life as she grew into a beautiful, troubled young woman. Since I worked long hours as a therapist, I was rarely home when Brice got home from school. As I look back on it, I was rarely home, period. How could I have been so unaware of the endless hours that that improbable pair spent together? Today, as I walk through the house, I see the many framed photographs of Brice as she passed  from one stage of development to the next with a new clarity.  How could I have missed the ever present sadness, the pain in her eyes? I am a therapist, I should have seen what was happening under my own roof.

Brice rarely smiled. Uncommonly beautiful, she had every gift a generous universe could offer. Tall, almost statuesque, she possessed a natural charisma. When she walked into a room, people noticed her, yet there was a disturbance somewhere behind her innocuous expression. It was as if she knew something, and whatever that something was, it wore her down. Her teachers told me she was a loner, she had no interest in her classmates. What held her interest was chemistry. Chemistry and math. And sometimes sports.

“Why do you drag your foot like that?”  Her soccer coach  pulled Brice aside one day after practice.

“Do I? I never noticed.”

“Yes, you do. You would be a much more effective fielder if you could break yourself of the habit.”

“I’ll try.” But she didn’t try, not at all. It was as if she was limping up and down the field.  Soon after that she quit soccer.

Her knapsack was too heavy. I worried about that, I worried that the heavy knapsack might hurt her back, but I was woefully unaware that my worries were misplaced.  What we worry about rarely happens, it’s what we never worry about that can blind-side us. 

Every day, as soon as she got home from school, she took her knapsack upstairs to her room and unpacked the many scientific journals and math quizzes, piling them neatly on her desk. She then had a snack, usually tea and a bagel. She made two, one for her, one for her grandfather. Balancing the two mugs of tea and the two bagels on a tray, she knocked twice  and entered. She often brought him flowers. They rarely talked, he couldn’t and she preferred the silence. One day I came home early, a crippling migraine caused me to cancel my afternoon sessions. Brice was unaware that I lay on the couch in the living room.

“Hi Pops, how’s it going?”

“Good but not good.”

“Likewise. School sucks.  Good but not good. But I got an “A” on my calculus exam.”

“Good.”

“My guidance counselor thinks I will be accepted at Harvard, or if not Harvard, Princeton.”

“Good but not good.”

So much remained unsaid, there was a lapse in the conversation, a lapse where something transpired between the two of them. It sounded as if they were working on something which I found rather odd, but in retrospect, I should have paid more attention. Hindsight is always 20/20.

“Don’t worry, Pops, I am sure it will work.” (She is sure WHAT will work, what are they doing in there?)

Two weeks later I discovered them, Brice in her recently purchased senior prom dress, my father in a long forgotten suit. Carbon monoxide killed them both. She was on his lap, he held her like a young child.




 


It's All Temporary

Monday, October 8, 2012

I Give a Convincing Sermon




I Give a Convincing Sermon
by Melissa Broder

I give a convincing sermon. I say The body
is a coat. It is a very dark and heavy coat
but worthless
. Mother Mary nods from the pews.
If I give Mary all my atoms she will plant them
in a garden where ripened women relinquish
their bones to make room for littler women.
It is dangerous to grow accustomed to a garden.
Just when the flowers soften you, they disappear.
Then you are a weepy fern among skyscrapers.
I don't want my soul exposed like that.
Neither can you make a garden stay. Don't even try.
Every plot becomes a dark city over time.
I have collected many dark ideas over time.
I have so many ideas they are a second coat.


It's All Temporary

Thursday, October 4, 2012

Complaint of Isadora Duncan's Scarf


Complaint of Isadora Duncan's Scarf
by Charles Jensen

My only glory was in beauty,
how I reached from her slender neck
toward the sky, ravaged by wind

the way a rough lover handles
you: dizzying, powerful,
unpredictable, but with joy,

joy in touching you,
joy in seeing you disheveled. The cool
night air ran its lips on my silk skin

to make me dance. I danced,
long and lean, with perfect
extension and seamless flow.

I had no bones. Not one bit of me
was firm or harsh. I was air
itself. I was becoming

pure performance. I could
see the tire's eye watching me.
The car at the sidewalk with its

inflexible frame-it hated
my freedom, my lift, my flight.
The car, gravity's great love,

envied me. The wind, for a moment,
set me down with ballet grace.
I lit upon the cold steel spokes

striking out from the wheel
like the arms of great Kali. She
tangled me, and when the car

drove off the wheel pulled me
tighter. I wound around its neck
the only way a scarf knows how,

pulling my whole silk body
and everything that anchored me
into the mouth of never.



It's All Temporary